Robbie Daymond brings in his instructing expertise voicing Timber Wolf in LEGION OF SUPER-HEROES

Whether or not it’s Wynnde within the Younger Justice animated sequence or Spider-Man in numerous initiatives, Robbie Daymond has voiced his fair proportion of superheroes. With the Legion of Tremendous-Heroes animated film, Daymond provides yet one more superhero character to his resume as Timber Wolf, the surly teacher for potential members of the eponymous workforce. 

Robbie DaymondThe Beat had the prospect to talk with Robbie Daymond not solely about his efficiency as Timber Wolf but additionally his profession and numerous different matters. Test it out!


Taimur Dar: As I used to be watching the movie, it struck me that your Timber Wolf efficiency has a sure Wolverine vibe. I might like to know if that fan-favorite member of the X-Males was certainly an affect.

Robbie Daymond: The most effective a part of these interviews is that I get to be taught stuff too. If my final interview was to be trusted, it seems that Timber Wolf was first within the DC Universe after which was used as inspiration for the Wolverine character. Clearly, DC and Marvel borrow from one another infrequently. I feel that these similarities that you’re seeing will not be utterly unfounded. It’s simply the opposite approach round as a result of Wolverine turned such a large core character within the Marvel Universe and I feel Timber Wolf isn’t used practically as a lot.

Dar: That leads completely into my subsequent query. The common particular person most likely isn’t accustomed to Timber Wolf, in distinction to different characters you’ve performed like Spider-Man. With a personality like Spidey, you’re residing within the shadow of a long time of different actors. Do you end up much less constrained voicing beneath the radar characters like Timber Wolf?

Daymond: I’ve been fortunate in my profession attending to play lots of characters that individuals would possibly “know.” I don’t ever really feel scared that I’m going to do one thing that somebody isn’t going to love or be in contrast. That’s their efficiency and that is mine. I at all times belief the artistic workforce to know what they’re going for and hopefully my model of an present character stands alone. With Spider-Man and Timber Wolf I obtained to strive just a few new issues.

Dar: Did you look into the comics or do any analysis for the character or rely totally on the script?

Daymond: That’s at all times the query— how a lot do you analysis? For this, fortunately I’m an authorized nerd myself so I had a bit of bit of data. However I used to be capable of look again on the character and see what the vibe was and if he was voiced by anyone else. However you don’t need to over analysis as a result of then you definately would possibly find yourself pigeonholing your self into an interpretation of the character that doesn’t match the variation that you just’re engaged on. Know what you’re moving into for however maintain your self pliable sufficient to take course from people who find themselves much more educated than you want the administrators. 

Dar: Talking of administrators, you and voice director Wes Gleason go approach again, so how would you describe your working relationship with him on this challenge?

Daymond: I’m guessing that my involvement on this was in no small half as a result of Wes. [Laughs]. He’s an incredible man and an extremely expert voice director. He’s actually good at making me really feel comfy within the studio and opening you as much as new and fascinating reads. He’s an incredible scene accomplice. Generally he’ll learn the scene with you if you happen to don’t have the opposite actors. I can’t communicate extremely sufficient of Wes. He deserves all of the accolades he’s had through the years. Each time I am going right into a session and see him on the opposite facet of the glass or Zoom, I do know it’s going to be a great time and I’m going to be happy with my efficiency.

Dar: You taught on the Nevada Conservatory Theatre and on this Legion animated movie, Timber Wolf serves as a trainer for the scholars at Legion Academy. Was that one thing out of your life you have been capable of incorporate into the function?

Daymond: That’s an fascinating query. I taught all by graduate faculty. Once I moved to Los Angeles I taught for a few years on the New York Movie Academy. So I do know what it’s wish to have a classroom full of scholars, particularly younger individuals who will be surly, impulsive and annoying generally. [Laughs]. The large distinction for me is once I was instructing I used to be younger! I went into graduate faculty once I was 22 and continued instructing till I used to be about 28. I suppose the distinction between Timber Wolf and myself could be it’s a bit of bit simpler to command respect while you’ve obtained some years. However as a 22-year-old it may be robust to wrangle in a category of 18–22-year-olds. I even taught just a few non main programs [and] had individuals who have been my mother and father’ age. There’s one thing to commanding respect and I feel the one approach to have the ability to do that’s by information and experience. That’s why individuals know when somebody is faking. Folks don’t like incompetent individuals in energy positions. However for probably the most half I feel Timber Wolf is aware of what he’s doing. 

Dar: Awhile again you bought to voice a Lakota character within the Casagrandes cartoon. Indigenous illustration undoubtedly appears to be on the forefront in media, particularly within the final 12 months with initiatives like Reservation Canine and the Prey movie. I’d love to listen to your ideas and perspective.

Daymond: It’s at all times a constructive factor. We’re all searching for illustration in media. In the event you’re asking about my private opinion and experiences, I really feel like my relationship with it has shifted through the years. I’m of blended ancestry however I additionally don’t current as Caucasian/White so generally it’s exhausting for me to seek out my place. I can’t exit for sure sorts of roles however I’m Indigenous. Because it’s shifted through the years, I recorded that Casagrandes episode possibly 4 years in the past, I don’t assume I might tackle a job that will particularly communicate of tribal illustration if I wasn’t from that tribe. That’s one thing that’s shifted for me and my evolution on what it means to be an actor and an individual of coloration. I feel we’ve got to get it as shut as attainable and provides these individuals the chance. In the event you’re speaking a couple of fashionable Native American residing out on the earth the place their tribal ancestry isn’t a core a part of their character, then I completely am comfy enjoying these characters. However I might love to offer the prospect to a card-carrying member of a sure tribe to have that chance first.

Dar: Moreover the motion roles you’re identified for, you’ve executed lots of work in children and preschool exhibits these days like Pretzel and the Puppies and Nickelodeon’s Child Shark. As a father of two children, I’m curious if you happen to’ve consciously been selecting initiatives that your individual children can take pleasure in?

Daymond: I’ve a two- and four-year-old and I would like them to have the ability to watch that clearly. Another pre-school exhibits that I’m in that they’re watching are Chico Bon Bon, Spirit Rangers and Do, Re & Mi. Truthfully, I do personally assume that’s only a shifting within the media itself. They’re altering the demographics. It’s not 7-11, it’s 6-10. The youthful viewers are getting onto extra live-action media earlier. So it is sensible that there could be a shift to specializing in preschool exhibits for working voice actors. These exhibits are simply the bookings which are presenting themselves. I feel that’s a bigger signal as a part of the shifting of animation usually excluding the issues we’re speaking about now. 


Legion of Tremendous-Heroes is on the market now on 4K Extremely HD Blu-ray Combo Pack and Digital